an open letter to my organs: the noggin

dearest brain,

thank you for always staying put. i would most certainly forget you if not for the accident of your placement inside my skull. And also thanks for cranking out quality even when I periodically quit and relapse with caffeine.

Very Truly Yours,
Bridget

Grief

Grief. It’s a funny thing. Just when you think you’ve got it all figured out, all the stages played before you, something happens. You’ll be brushing your teeth, leaning over the sink to rinse out the paste and it’ll get stuck. You’ll hear her voice; think she’s calling you from the kitchen. You spit out the paste and watch it make swirls into the running water. Slowly saying to yourself, It isn’t her voice, and she’s not calling you from the kitchen.

But there you are, tooth brush in hand running down the stairs to the kitchen. Breathlessly staring at an empty table where a chair has been placed. The chair in her spot at the table, where for the last two years there wasn’t one so her wheel chair would fit. But there it is, empty and laughing at you. Snickering.

When it first happened you didn’t know what to do or how to act. Everyone showering you with this sympathy. Your sister is heaving sobs on your shoulders, while Mom can’t even walk down the aisle without the help of your brother and father. And all of those people in the church, packed in the pews, weeping over the same thing, don’t matter to you. You’re eyes are blurry, like your wearing glasses that have been dragged through a parking lot, trying to remember the last time you saw her. The last smile you shared, the last laugh. The last time she said your name completely, even before the stroke. That’s the voice you hear now.

Nana’s voice before the stroke that slurred her words and made her one eye get that fleck. Her “wide-awake Winston” blue eyes, and the left one with the fleck in it. Those eyes that hold all of your love. Those eyes that no one has. Not even Great Aunt Jene or Great Uncle Brian. When you see them, though, it still makes you cry, because they are so close to hers, so damn close, that you get lost trying to find Nana’s warm arms behind them. Their eyes don’t even compare to Nana’s, you know that deep down. But you always look for her when you see them. No matter how much it hurts.

The pain doesn’t go away really either. You mask it well. But you must never forget her. So you live with the pain. You put it into a little dust pile in your heart and pretend that your walking on air. Sing songs. Tell jokes. Talk about someone else, talk about something else. Talk about anything else that won’t disturb the house of cards holding your sanity together. But it doesn’t matter at all anymore. You still think about her, and how much you miss her.

When your day is autumn and the leaves change you miss her because she would have sat on the porch painting it. She would have asked you to open the jar of paint for her. It is funny after all, how much you miss her. How much the grief makes a mockery of her love; of your love for her.

All the “well-wishers” tell you that she wants you to be happy and live your life, Bridge. But when you are happy and living your life, it gets worse. You feel irreverent and lonely. You want to share it with her so badly you find yourself talking to a picture or a piece of jewelry; a coat. It’s those same “well-wishers” who don’t make it any easier when good things do happen. They mention her as if you had forgotten. As if you didn’t already come to that realization. The bitter realization that yes it would have been fucking nice if Nana could be here to see this.

Anger. That’s a stage you often want to go back to. There was palpable sting at your core. Everything you drank was like a bee-sting cocktail, everything you ate went down like thin strips of metal splintering into your esophagus. The pain was so real you could name it, feel it, and then be so exhausted from the taxing toll it was taking, you could sleep well. Remember sleep?

That’s another way grief gets you. As if living with the gerbil doing its 500,000th spin on the wheel isn’t enough, grief finds a way to tiptoe into your sleep as well. You’ll be dreaming something normal, like buying groceries with your kindergarten teacher at the zoo. And then in the check out line you’ll see her trying to get out of a car in the parking lot. You’re running, sprinting, jumping over animals, to get to her before she falls. You want to help her out of the car so badly you are pushing the lines of people and chimps out of your way. Pushing them hard. Kicking when necessary. You’re about to get to her; you are so close and just in time because she’s going to fall onto the pavement. That’s when your boyfriend wakes you up. It’s very dark out. That blue-black time of night, but you can see his eyes are filled with confusion. You were screaming and kicking me, telling me to get the hell out of the way, he says holding your shaking shoulders. The only thing you manage to say before the tears start to soak the pillow is, she was going to fall.


He doesn’t understand. None of them do. They didn’t know you when she was alive, they didn’t know her at all. How can anyone every really get to know you without knowing how much she means to you? How much you love her, and how great she is? But then that’s the other great thing about the grief: it ensures that it will stay on life support in you forever. Even if you get settled into a routine with new people and close friends, there comes the time when they ask some kind of a question that makes you say, oh no, she passed away.

It’s not only boyfriends either. Sometimes telling the boyfriends and new people is easier. Because they don’t see how much it hurts you to say it. They don’t see the flinch your eyes make while the words are coming out of your mouth. Only the close friends of yours know what to look for. Telling Jess in Susan’s kitchen while washing the dishes, and Mrs. Laganella at her dinning room table.

Both of them have known you since birth. Both of them hadn’t known about it. Grief rages its ugly head sitting next to you while you tell it again. Mrs. Laganella bumps right into the elephant in your room. You are having such a lovely dinner, when you say something inferring to her passing. Mrs. Lag stops cold, and puts her hands in prayer pose to her lips. You don’t want to look up from your cavatelli and broccoli. Oh no Bridget, no. She didn’t know. But you have to tell her, and you have to tell her right then and there.

Your new friends would think you are quite composed. You have an easy way in telling it, because you don’t want to really think about it. But Mrs. Lag knows. She shakes her head back and forth disbelieving. She feels what you are trying so hard not to show. Grief wins that round.

It wins every round, because you are engrossed in it. Everything you own, everything you do reminds you of her. You want her to be around and not just one more day. You want her to be here forever. But you can’t. So to get through it you make up games. For the first weeks after her passing you counted, a week ago today, two weeks ago. Now it has become months, one year and 11 months ago. You also catch the clock at 11:11, many times by accident but equally as many times on purpose. You fathom, it’s Nana’s way of check in and saying Hi!

Looking at yourself from afar you realize just how pathetic your life has become. Just how much you don’t believe she’s dead. How morbid your actions are now. Everyone who looks at you and hears the clock story immediately thinks you tragic. You are not the same bubbly, smart and funny Bridget. You are damaged goods, an infomercial of a normal looking product with a lemon in its box. You are a crazed twenty year old holding a wet toothbrush in your kitchen staring at a chair that shouldn’t be there, hearing voices that don’t exist.

Grief. It’s a funny thing. Just when you think you’ve got it all figured out, all the stages played before you, something happens.

the breakup haircut

you should put your finger in a damn or
smile proudly on the side of a can of paint
with that haircut.

i imagine how it went

the italian woman scrutinizing your locks -
the rungs of the scissors making white circles on the knuckles her thick sausage link fingers as she enclosed your view with a curtain of silken black sheen.

your eyes not peering beyond the void until her crunch-crunch sound freed your face with a
new left side part.

it should made you look thinner
your eyes fuller – more pronounced
your neck long and kissable
and it nearly does.

when you pointed to picture of the model with the blazing purple eye shadow, the Italian woman grabbed the book and looked at the date – 1987 – frowned.

“but you don’t have split ends! your long hair is perfect – just a trim.”

your middle finger placed over the model’s face – tap tap. defiance.

with each layer sliced, the sound of it became more piercing than the weight lifted from your rib cage, still can’t get a deep breath.

you notice the Italian woman had tuna for lunch.
She notices the dots of tiny beauty marks forming a little dipper below your earlobe.

in the chair next to you a woman over 30 begs for red hair – “buy a wig” her own hair dresser advises.

“This one! Couldda made a wig with all that hair I just chopped!”

she bends low, hinges on enormous hips, grabs a clump of you and shakes it roughly at your face.

you catch a glimpse of your self in the mirror and half cock a smile.
its just a haircut.

one that says dutch more than ditch.

….

so many more to post — here is my digital finger in the dam of poems i need to upload

“And I’ll be your english friend” John says
his voice makes the air, so brittle and so cold, mold into a vapour.

“Do you know anything about London? What if he asks where you are from?”
her tone stutters like a car that won’t turn over.

“I’ll say ‘you know, where the bridges fell?’”
her cheeks glow more pale in the dim street lamp lit sidewalk.

“What do you care anyway? It will sound just as realistic as your accent does when you’re…”
the laugh punches them both first in the back of their throats before catching sound.

“In bed!” they raor together clutching coated shoulders and tumbling up iced stairs.

Terricloth Closing.

I got a splinter that morning
because i was nervouse
running my fingers into the tiny intricate grooves
you hadn’t put finnish on the table yet.
it was freshly cut, still raw bleeding pine.

you wore chrisp starch linens,
the curly bits of your chest hair
catching and releasing the v neck collar of your shirt.
“swweeeetheart” the words: a tourtis escaping from prison.

there was not a drop of coffee left
but i put the chipped china cup to my lips
to catch the mantra from spilling out onto the table,
“i am not ready for this conversation”

you became a johny cash concert
singing your blues without remorse or recourse.
you could say the word i never said,
my mother never said, my family never said:
“divorce.”

i reknotted my robe over and over
making sure it closed tightly
i couldn’t let you see your
marching band of declaration stoming on my insides.

your eyes retreated to the newspaper, the local section
with the picture of Council-Woman Freeman
her left arm raised proud with a glass of milk,
toasting the patrons who voted her into office.

barnes & nobles

we were total opposites from the get go.
you had one book.
i carried a mountains worth, like gus from cinderella, balancing the tall stack under my chin.
the coffee bar was elevated, some higher plane of javaness than the rest of the store and patrons.
i saw your face through the slats my hands grasping for just one more paperback.

were you looking at me?
hard to say.
i carefully found the steps with my feet and joined your java hut.
my table married to the trash bin but all the better to see you from.

the butch on your left turned out to be your son, or is it grandson?
he left while you read feing shui.
i thought, i could find you a better book. i’ve read that one and it’s no good.
i thought about foraging the store to find one.
but instead i watched until you watched.
i blushed until you blushed.
i caught you until you caught me.

while you were bent below the table tying your lace, the smallest bit of hair flowing down and brushing the brim of your nose, your son’s nose, your grandson’s nose.
i could see your long delicate fingers maneuver the lace like plucking strings of a guitar, i followed the hair line crack from a smile down the length of your cheek.
it was a lovley view.

when your husband, or is it exhusband, or baby daddy
appeared infront of you
i smiled openly and stared without abaondon.
what could you do? look back and blow your cover?

when you rose to follow him into the endless stacks of books
you paused a bit long too beside my table.
too close for me to look directly
and blow my cover.
my hands balancing the book of andrienne rich poetry chuckled
“it would have been good”

while your eyes traced the outline of my face
i continued to stare down the words on my page
all seemingly wishpering
“go back to being yourself: a mother, or grandmother, or wife.”

"honey really, i don’t know why you two don’t get along. you are so alike"

have you even seen two women fight in public?
no, i don’t mean women fighting in the wwf ring…
in public, with other people whom they respect.
just that one single woman
in her group
that is all it takes to sour.

but it is magical to see them attack.

one smiles widley, revealing razor sharp fangs, and catipultes a compliment at the other.
poor compliment, who was merely biding his time in the pool that other guests often go fishing in, where he would have had a happy home in a malnurished ego.
instead, he is shot like a cannon into the cavity of the other woman. his belly roasted on her simmering skillot, his facial hair singed off.

the counter attack takes skill to be done to prefection. the loud unashamed laugh. it has to be equal parts audibal threat and pitty laughter. it has to be loud enough so that her ears will surley melt morbidly interanlly
yet quiet enough that the guests notice nothing of unease.

a break in the action. both sides retreating for reinforcements
moments of conversation. rest easily for a few moments. after a few more moments it appears that all is well.
A cease fire.

or is it?
the peace aggreement disrupted by dropping a name into the conversation.

the agressive hand hold, usually one hand but look out if she grabs both, and if she shakes the hands in air…well lets hope you’re family knows you love them.

and the laughter, a potent mix of gun powdery disdain, “he was my college mate”

the light pat of the back or perhaps head, depending on the carnage so far, “oh is he really that old?”

look for it at your next gathering, you may be surprised that you’re girlfriend and your sister really dont “just love” one another.